This Oscar®-winning documentary confronts the realties of war--any war. The Anderson Platoon was an integrated combat unit in Vietnam led by an African-American West Pointer, Lt. Joseph B. Anderson. In 1966, producer Pierre Schoendorffer and his cameraman spent six weeks filming the men of the Anderson platoon as they ate, slept, fought, and died. The soldiers' faces say much more than words ever could about the tension, frustration, anger, and stark realties of war.
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Space. The Final Frontier. The U.S.S. Enterprise embarks on a five year mission to explore the galaxy. The Enterprise is under the command of Captain James T. Kirk. The First Officer is Mr. Spock, from the planet Vulcan. The Chief Medical Officer is Dr. Leonard 'Bones' McCoy. With a determined crew, the Enterprise encounters Klingons, Romulans, time paradoxes, tribbles and genetic supermen lead by Khan Noonian Singh. Their mission is to explore strange new worlds, to seek new life and new civilizations, to boldly go where no man has gone before.
This boldly cinematic trio of stories about love and loss from Krzysztof Kieślowski (The Double Life of Véronique) was a defining event of the art-house boom of the 1990s. The films were named for the colors of the French flag and stand for the tenets of the French Revolution—liberty, equality, and fraternity—but this hardly begins to explain their enigmatic beauty and rich humanity. Set in Paris, Warsaw, and Geneva, and ranging from tragedy to comedy, Blue, White, and Red (Kieślowski’s final film) examine with artistic clarity a group of ambiguously interconnected people experiencing profound personal disruptions. Marked by intoxicating cinematography and stirring performances by such actors as Juliette Binoche (Summer Hours), Julie Delpy (Before Sunset), Irène Jacob (The Double Life of Véronique), and Jean-Louis Trintignant (Z), Kieślowski’s Three Colors is a benchmark of contemporary cinema.
Blue In the devastating first film of the Three Colors trilogy, Juliette Binoche gives a tour de force performance as Julie, a woman reeling from the tragic deaths of her husband and young daughter. But Blue is more than just a blistering study of grief; it’s also a tale of liberation, as Julie learns truths about her late composer husband’s life and attempts to free herself of the past. Shot in icily gorgeous tones by Sławomir Idziak (The Double Life of Véronique) and set to an extraordinary operatic score by Zbigniew Preisner (The Secret Garden), Blue is an overwhelming sensory experience.
1993
98 minutes
Color
2.0 surround
In French with English subtitles
1.85:1 aspect ratio
White The most playful but also the grittiest of Kieślowski’s Three Colors films follows the adventures of Karol Karol (The Pianist’s Zbigniew Zamachowski), a Polish immigrant living in France. The hapless hairdresser opts to leave Paris for his native Warsaw after his wife (Julie Delpy) sues him for divorce (her reason: he was never able to perform in bed) and then frames him for arson after setting her own salon ablaze. White, which goes on to chronicle Karol Karol’s elaborate revenge plot, manages to be both a ticklish dark comedy about the economic inequalities of Eastern and Western Europe and a sublime reverie about twisted love. 1993
91 minutes
Color
2.0 surround
In French and Polish with English subtitles
1.85:1 aspect ratio
Red Krzysztof Kieślowski closes his Three Colors trilogy in grand fashion with an incandescent meditation on fate and chance, starring Irène Jacob as a sweet-souled yet somber runway model in Geneva whose life intersects with that of a bitter retired judge, played by Jean Louis Trintignant. Their blossoming friendship forces each to open up in surprising emotional ways. Meanwhile, just down the street, a seemingly unrelated story of jealousy and betrayal unfolds. Red is an intimate look at forged connections and a splendid final statement from a remarkable filmmaker at the height of his powers.
1994
99 minutes
Color
2.0 surround
In French with English subtitles
1.85:1 aspect ratio
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